Technique

After experimenting with the wrinkles, I realized I loved the look the technique gave me.  I wanted to get away from using outlines, and the fx I was using allowed me to do that.

Create Wrinkles??!!

When I think of Photoshop and wrinkles, I think "how to get rid of them," not "how to create them." But when it came to this bulldog, I needed to create them, and not with the pen tool.  Simple lines were not creating the look I wanted.

But when I was playing around with the layer effects in another project, I realized that with a combination of blending options and the smudge tool, I could "paint" the wrinkles in on the bulldog.

I used the pen tool to create a few shapes that followed the shape of the lines and filled them with the color of the dog.

Using the bevel blending option gave me the shadows and creases I needed, but too sharp a curve.  And using the smudge tool only moved the shadows around. 

What I needed was to be able to "flatten" the layer like you can "raster" a type layer, so that the layer effects were flattened.  To get around my inability to do that, I created an empty layer beneath the effected layer and merged the two.  (I copied the un-rastered layer first so I'd have a protected version.)

Then I was able to use the smudge tool to move and soften the edges and the dodge tool to lighten the shadows without worrying about the effects.

All I needed was a little work with the stamp tool.

 

 At this point I realized that I had found a way to create the natural folds that occur in the dog's face. 

Seal

Creating the seal was so far the simplest part of this project.  A few circles, get them just the right thickness, the paw, and text on a path.  They all received some sort of FX treatment.

Portrait #2 & layers trick

The second portrait was much easier and just needed a few things done. 

Here is one thing I like to do that makes life easier when working with layers: learning the shortcut for combining all visible layers into a new layer.  

Let's say I have a layer in which I want to blur the skin.  I make a copy of the main image, blur the skin, then reduce the opacity to 20%. Then I want to darken the eyelashes.  I can't do that on the 20% opacity layer.  And I can't do it on the layer underneath, because I want to be able to control the opacity of the eyelashes layer as well. 

So I make a layer that combines the main image and the 20% blur layer.  That way I have a new 100% opacity layer to work with.  There is no place on the menu to find this, you just have to memorize the shortcut:  Command, Option, Shift, E.
So:

• Command E:  merge down or merge group
• Command, Shift E:  merge visible
• Command, Option, Shift, E:  merge visible into new layer.

When you look at your history panel, you'll see that it actually calls this "Stamp Visible."

Here are the before and after.  Not much of a change, but still enhanced:

before

 

after

Portrait Enhancing

before

 

I took a break from my other project to enhance a portrait.  Below are the before and after, and a screenshot of my layers.

after

layers